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Sound -- Recording and reproducing -- History

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200,000 historic recordings are making their way to the Library of Congress

Universal Music Donating 200K Master Recordings to Library of Congress http://www.hollywoodreporter.com/news/universal-music-donating-200k-master-69817 A Digital Library Race, and Playing Catch-Up [Free registration may be required] http://www.nytimes.com/2011/01/09/business/09stream.html?src=busln Performing Arts Encyclopedia http://www.loc.gov/performingarts/ Music for the...

https://scout.wisc.edu/report/2011/0114
Early Recorded Sounds and Wax Cylinders

Here is a fun site and a fine example of how the Internet has contributed to the preservation of our cultural heritage. Created and maintained by Glenn Sage, this site showcases some of the over 2,000 wax cylinder recordings that Sage has preserved by recording them digitally. A new two-minute recording is offered in RealPlayer and .wav or .mp3 format each month, and the archive contains...

http://www.tinfoil.com/
Emile Berliner and the Birth of the Recording Industry

Emile Berliner, an innovative entrepreneur of the nineteenth and twentieth centuries, invented the microphone, flat recording disc, and gramophone player. This online exhibit of Mr. Berliner draws from the Emile Berliner papers and sound recordings of the Library of Congress's Motion Picture, Broadcasting, and Recorded Sound Division Industry. The collection consists of over 400 items from the...

https://www.loc.gov/collections/emile-berliner/about-this-co...
Theo Wangemann's 1889-90 European Recordings

Theo Wangemann was the world's first professional sound recordist, and was hired by Thomas Edison in 1888 to produce a set of musical recordings for the wax cylinder phonograph. Wangemann worked at Edison's West Orange, New Jersey laboratory in 1888-89. Interestingly enough, Wangemann is perhaps best known (until now) for his work recording Johannes Brahms at the piano in 1889. In 2011, the...

https://www.nps.gov/edis/learn/photosmultimedia/theo-wangema...