Mary Cassatt may be best known for her paintings of women and children, but she lived a long life full of much more: bold moves, societal-norm evasion, adventure, a big family, and a bigger personality.
Mary Stevenson Cassatt was born on May 22, 1844, in Allegheny City, Pennsylvania the fourth of five children of Robert Simpson Cassett and Katherine Johnston Cassett. Her parents were quite wealthy and had a sort of wanderlust approach to residences, moving the family quite a bit, even to Europe for an extended time. Mary grew up multi-lingual, very curious, and very, very interested in becoming an artist.
She was able to begin working toward that goal at 16 when she entered the Pennsylvania Academy of Fine Art in Philadephia and continued when she (with her mama as a chaperone) moved to Paris in 1865 when she was 21 years old. She built her skills by copying masters’ paintings in the Louvre, studying with artists in Paris, and upped her game when she began to be selected to show at the prestigious Le Salon des Beaux Arts in Paris. She continued her education by traveling throughout Europe with friends to study the art of the area, practice, and in one case, complete a commission that made her the Belle of Parma for a season. She never stopped that education.
Mary joined a small group of artists in Paris who were thinking the same thing that she was: there is another way to paint than the one, traditional way approved by the Salon judges. These folks even had a name for their merry band of artists: The Impressionists, and Mary joined them when she was 33 in 1874. Big names now like Degas, Monet, Pissaro, Renoir… while Mary wasn’t the only woman, she was the only American. With the Impressionists, she painted scenes of everyday life (in places where she, as a woman of a certain class, was allowed to go) and, eventually, began the work she is most famous for: women and children.
For her entire life, Mary was always learning, always practicing, and always adapting her art as her mind, her life, and her body began to change. She made the decision to never marry, and (no shock) she had a full life of family and friends. In addition to becoming a world-renowned painter and printmaker, she assisted many people in the role of art consultant, helping them amass their art collections of various styles and artists, and made herself available to advise and support young artists.
Not only did Mary achieve her dream of an art career, she helped others achieve theirs.
Mary Cassatt died at her home, Chateau de Beaufresne in Le Mesnil-Theribus, France on June 14, 1926. She was 82 years old. She left behind an enormous body of work, much of which was in private collections and has since been donated to museums around the world.
****SHOWNOTES UNDER CONSTRUCTION, PLEASE COME BACK A LITTLE LATER FOR A SLEW OF MARY’S PAINTINGS AND ALL OF OUR MEDIA RECOMMENDATIONS, THANKS!****
Time Travel With The History Chicks
Books!
Web!
The Library of Congress has a listing of places where you can (virtually) go see Mary’s work. We heart the Library of Congress.
There is a lot of information and a collection of (most) of her work at MaryCassatt.org.
Why did we keep saying that Impressionist painting was so radical? Here’s an article about that in The Week.
Very cool resource: Pieces Mary applied to be shown at the Salon in Paris, by acceptance and rejection. Impressionism.nl (and lots of other artists’ work, too!)
When we left Althea in part one, she was 24 and after years of training, practice, competition, and a village of supporters working with her and behind the scenes, she was finally invited to the American Lawn Tennis Association Championship at Forest Hills Tennis Stadium in New York in 1950! Getting to this national tournament wasn’t easy, but few things in Althea’s life are.
It wasn’t easy to get to Forest Hills, or through college, or onto a short-lived career as a college physical education teacher…it wasn’t even easy to get her application through to become a WAC, a member of the military Women’s Army Corps, a position that never fully panned out for Althea. She was floundering in her life and ready to give up tennis when she was tapped by the US State Department for a Goodwill Tour to Asia, along with three other tennis players.
This travel led Althea to travel on her own throughout Europe to play in tournaments, improve her game, and play with the best competition in the world! Soon she became that competition for others, winning her first major tournament in France then on to the oldest in the world: Wimbledon. She cracked through racial barriers, gender barriers, and economic barriers to win scores of tournaments including 11 “Grand Slam” tournaments: five singles titles, five doubles titles, and one mixed doubles title.
Althea’s first Wimbledon singles victory, Queen Elizabeth’s first Wimbledon 1957With Darlene Hard, singles runner-up Wimbledon 1957After Wimbledon in 1957, the first person of color to win the oldest tennis tournament in the world, NYC welcomed back their own daughter with a ticker tape parade.
Althea made two appearances on the Ed Sullivan show, this is after her historic Wimbledon win
But competitive tennis in the 1950s was for amateurs only, and Althea couldn’t support herself playing the game she loved by competition, so she retired in 1958 and crafted an interesting life recording an album, appearing twice on the Ed Sullivan Show, writing an autobiography, acting, and modeling for ads until she landed a five-year run touring with the Harlem Globetrotters to play exhibition games. When that ended, she began to hit a different type of ball when she toured with the Ladies Pro Golfer Association (LPGA.)
Her second Ed Sullivan appearance and she sings!
Althea gave tennis clinics and talks about being a Black, female athlete for the rest of her life.
The remainder of her life was full of struggles and successes…just like the years that came before. Althea Gibson died on September 28, 2003, she was 76 years old.
By Sally Jacobsby Ashley BrownBy Frances Clayton Gray and Yanick Rice LambAbout Althea and Angela Buxton by Bruce SchoenfeldFirst autobiographySecond autobiography
Kid books we liked:
By Sue Stauffacher and Greg CouchBy Lesa Cline-Ransome
Web!
We have a Pinterest board for every subject, it’s a glorious place to dive into some rabbit Holes! Here is Althea’s!
Smithsonian National Museum of African American History and Culture online exhibit about Althea, and she’s represented at the International Tennis Hall of Fame in Newport, Rhode Island (to access the museum’s Metaverse, go to the VISIT page and scroll down.)
Resilient Grace is an online retailer with a mission of telling the stories of historic, African American women (Susan has a few of her shirts including the Shirley Chisholm one that she wears when she votes!)
This is the kind of sports jersey we can get behind!
Our 2024 Field Trips to Austria and Paris are both sold out, and there are just a few spaces for our New York trip in September. There, we will also have a Locals’ Meet-up Dinner Cruise that’s open for reservations now. If you’re interested in any of these, please see Like Minds Travel for information and to sign up!
Break Music: Slow Cookin’ by Joe Smith and the Spicy Pickles; End Song: Play the Game by Lilly Wolf used by permission from iLicense Music.
We recently traveled across our home state of Missouri from Kansas City to St. Louis to visit the Missouri History Museum. While it’s a fine museum, we were there for a specific reason: to do a live show about pioneering photojournalist, Jessie Tarbox Beals. We know that a lot of you would have loved to have been there to learn about this extraordinary woman, so we re-recorded the show in an audio-only format for you.
There are quite a few lines on a tennis court; sideline, baseline, service line – all of which have their functions. But beginning in 1950, a powerful and charismatic African American athlete named Althea Gibson began to smash tennis’ color lines, one after another. Althea Gibson broke new ground and changed the world’s perception of what was possible in the world of sports.
All media recommendations will be on the shownotes for Part Two.
