This article was originally published on Common Edge.
Architecture mirrors the culture it is built from, while simultaneously aspiring to lead that culture. This is almost oxymoronic, since reflecting and projecting our values is an essential part of every human life, and architecture is exquisitely human. Our buildings embody us, with all of our mixed messages.
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
SO-IL, in partnership with Detroit’s Library Street Collective, has revealed the design for a new arts campus in the Stanton Yards marina on the Detroit River. The development includes the revitalization of a 110-year-old church, a defunct bakery, and a former industrial site, thus transforming the now-disused waterfront facility into a ‘dynamic cultural amenity.” The project aims to expand upon the program of the Little Village, a diverse arts neighborhood recognized for its cultural and artistic scene.
We Design Beirut, Lebanon’s four-day design experience will take place from May 23-26, 2024. This multidisciplinary event aims to showcase and celebrate design and creativity through a varied program, including showcases, installations, talks, and workshops. Founded by Mariana Wehbe in collaboration with industrial designer Samer Alameen, the event seeks to foster a global conversation on design and sustainability through programs in the fields of interior design, architecture, furniture, product design, functional art, ceramics, and home accessories.
The U.S.-Mexico border is a region of vast historical, cultural, and economic significance, where cities of fundamental importance to North America have emerged. Tijuana—located in northeastern Mexico—, is one of these cities. Since its earliest beginnings in the 18th century, it has experienced exponential urban growth, closely linked to its northern neighbor, San Diego. Understanding Tijuana in its entirety is only possible by mentioning this connection. For this reason, along with San Diego, it was selected as the World Design Capital 2024, celebrating the interaction and cultural exchange between the two cities.
Historically, the city has been a melting pot of nuances reflected in its urban landscape. Examples such as the Tijuana Cultural Center, designed by Pedro Ramírez Vázquez and Manuel Rosen, show the city's search for a modern style. In parallel, the OTAY Cross Border Xpress Building illustrates the relationship between countries in a complex whose architectural program spans both sides of the border. Additionally, contemporary projects contribute to developing a new stage in the city's life by creating public spaces.
